Native American Heritage Month
Ft. Monroe, Virginia
2006

"Many Nations - One Warrior Serving Two Worlds"

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Movies

The following are but a few movies that our committee feels are beneficial, educational, and well made.

The Spirit of Crazy Horse
"The heart of everything that is." These are the words which the Sioux Indians use to describe their ancestral homeland, the Black Hills of South Dakota. Those million acres form the spiritual core of the Sioux culture, and it's a land they have struggled to reclaim for a century. "The Spirit of Crazy Horse" is an eye-opening vision of their quest, which has shaped the lives and destiny of the Sioux for six generations. It is a tale recounted by Milo Yellow Hair, a full blood Oglala Sioux, whose great-grandfather fought General Custer at the Little Big Horn. While the story echoes with famous names like Wounded Knee - the last major Indian slaughter a century ago - this is more than a tale of long lost wars.
The Spirit of Crazy Horse reveals the modern Sioux struggle to regain their heritage, and how places like Wounded Knee became sites for a fight that continues still. The program carries us through the militant confrontations of the early 1960's and 1970's, the explosive results of 100 years of confinement on Indian reservations. The Spirit of Crazy Horse takes us past the clichés about the problems of life on the reservation, and puts the issues in a meaningful context of Indian culture. By investigating the simmering conflict of recent decades, The Spirit of Crazy Horse also offers a clear perspective on the crucial choices that lie ahead. While the U.S. Supreme Court has ruled that the Black Hills were stolen from the Sioux, the fight for the return of the land rages on. In the shadow of Mount Rushmore, the Sioux version of their sacred homeland still thrives, and The Spirit of Crazy Horse is a moving portrait of those hopes and aspirations. In the face of hard choices, the descendants of the famous warrior Crazy Horse carry his spirit on.

 

 

500 Nations
Hosted by Kevin Costner, 500 NATIONS, directed by Jack Leustig, explores the history of the indigenous peoples of North and Central America, from pre-Colombian times through the period of European contact and colonization, to the closing of the frontier in 1890. 500 NATIONS utilizes historical texts, eyewitness accounts, pictorial sources and computer graphic reconstructions to explore the magnificent civilizations that flourished prior to contact with Western civilization, and to tell the dramatic ongoing story of the Native American nations.

 

Thunderheart
Actor Robert De Niro started a production company to make films just like this one: stories which were unpopular with the establishment and which are unlikely to make a big splash at the box-office. Even so, this is a first-class production, and the filmmakers were the first to receive permission to film on the Pine Ridge (Sioux) Reservation in South Dakota, likely due to director Michael Apted's having previously made an accurate and sensitive documentary about Indian political prisoner Leonard Peltier's case, Incident at Oglala. The film did exactly as well as expected at the box-office but has since assumed greater importance as one of the tiny number of "mainstream" movies which faithfully and respectfully illuminate Native American issues. In the story, loosely based on the earlier documentary, Ray Levoi (Val Kilmer) is an ambitious up-and-coming FBI agent in the 1970s with great career prospects. The one thing he will not tolerate is any reference to his half-Indian heritage. As far as he is concerned, his loyalties and culture identify him with the government and his white mother. He is extremely touchy about anything to do with his father, who was an alcoholic full-blooded Sioux. However, the FBI wants to take advantage of his half-Indian blood to mend fences in a politically sensitive murder investigation, and it sends him exactly where he doesn't want to go. Further, he is widely advertised as being Indian, though he knows virtually nothing about his heritage and has renounced it to the best of his ability. Once on the reservation, he becomes deeply involved in a truly messy state of affairs and is drawn into situations where he is forced to confront his background, native spirituality, and the duplicity of the government and its allies within the tribe. Despite his consistent prickliness about his heritage, his heart is in the right place, and the reservation's sheriff (Graham Greene) and a wise spiritual elder (Chief Ted Thin Elk) patiently lead their unwilling FBI pupil on a soul-wrenching wild goose chase which paradoxically takes him straight to the heart of the matter.

 

 

 

Little Big Man

Recounting how the West was won through the eyes of a white man raised as a Native American, Arthur Penn's 1970 adaptation of Thomas Berger's satirical novel was a comic yet stinging allegory about the bloody results of American imperialism.  As a misguided 20th-century historian listens, 121-year-old Jack Crabb (Dustin Hoffman) narrates the story of being the only white survivor of Custer's Last Stand. White orphan Crabb was adopted by the Cheyenne, renamed "Little Big Man," and raised in the ways of the "Human Beings" by paternal mentor Old Lodge Skins (Chief Dan George), accepting non-conformity and living peacefully with nature.  Violently thrust into the white world, Jack meets a righteous preacher (Thayer David) and his wife (Faye Dunaway), tries to be a gunfighter under the tutelage of Wild Bill Hickock (Jeff Corey), and gets married.  Returned to the Cheyenne by chance, Jack prefers life as a Human Being.  The carnage wreaked by the white man in the Washita massacre and the lethal fallout from the egomania of General George A. Custer (Richard Mulligan) at Little Big Horn, however, show Crabb the horrific implications of Old Lodge Skins' sage observation, "There is an endless supply of White Men, but there has always been a limited number of Human Beings."

 

 

Son of the Morning Star

This 1991 made for television movie, which chronicles the life and times of George Armstrong Custer following the Civil War, is available on video cassette. It was originally shown on one of the networks in two parts. Some critics claim it was television's answer to Dances With Wolves but the same could be said about any well-done film portraying the conflict between the army and the Indians.  The movie was based on Evan S. Connell's best seller Son of the Morning Star and other historical sources. The title comes from the Crow Indian name for Custer, "Son of the morning star who attacks at dawn."  (Note: A big screen version has been announced for 2007, directed by Oliver Stone.)

 

 

 

Windtalkers

Joe Enders, a decorated Marine who is by-the-book to a fault, is just coming back on duty (by cheating on his medical tests). "Ox" Anderson, much greener, is also getting the same new task: Protect the Navajo codetalkers (Ben Yahzee and Charles Whitehorse, respectively). While Enders is initially frustrated with his assignment, his respect grows as the codetalkers prove their worth in the brutal battle to take Saipan.

 


Dances with Wolves

Dances with Wolves is the story of Lt. John Dunbar, whose exploration of the Western frontier becomes mirrored in a search for his own identity. It begins dramatically with the badly wounded Dunbar choosing death rather than allowing the amputation of his foot. He charges the Confederate lines and so, unwittingly, becomes a hero.

Allowed to choose his posting, Dunbar opts for the frontier. His increasing loneliness drives him to seek solace with the neighboring Indian tribe. Gradually he is accepted as a member of the tribe, which in the America of the Civil War (1861-64) is seen as desertion. In order to spare the tribe any more retribution from the army, he leaves with his wife, Stands with a Fist, for the wilderness.

 

 

 

 

 

The War That Made America

The French and Indian War pitted French forces for almost a decade against the British, yet few Americans realize its historic contribution to the revolutionary fervor which swept the continent in 1776. Actor Graham Greene, an Oneida Indian whose ancestors fought in the war, narrates this gripping four-part documentary series. Episodes include "A Country Between," "Unlikely Allies," "Turning the Tide," and "Unintended Consequences."

 

 


The Last of the Mohicans
Based on the 1826 novel of the same name by
James Fenimore Cooper, this movie is a sweeping historical drama set during the eighteenth century French and Indian War. Two themes permeate Cooper's frontier adventures: his love of nature, and his respect for the North American indigenous people. The movie stays true to these ideals through its use of cinematography, characterisation, and plot.  The story is one of ordinary people caught up in extraordinary events. Hawkeye (Daniel Day-Lewis), a white orphan, has been raised by Mohicans. Together with his Mohican father and brother, he makes a living as a fur trapper on the frontier. He and his family try to avoid becoming involved in the war that is engulfing them, but after rescuing a British Colonel's daughter (Madeleine Stowe), her sister, and a British officer from a Huron war party, they are left with little choice.  What follows is an absorbing adventure/romance movie, which like Cooper's novels, is characterized by thrilling Indian attacks, well developed adventurous characters, the beautiful wilderness of the North American continent, and an insight into Native American culture and eighteenth century Frontier life.

 

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